Still Life with Hollyhock
How do you frame this beaver pond,
those paths, those woods? How do you
know what to leave, what to choose?
Where does light begin and darkness end?
Up and down: two dimensions. Easy.
But where does depth come from?
Or the tactility, the energy, water’s
flow, that rush of breathless movement
that transcends the painting’s stillness?
So many questions, so few answers.
The hollyhock that blooms in my kitchen
is not a real hollyhock. It is the painting
of a photo of a genuine flower that once
upon a time flourished in my garden.
A still life, then, a nature morte, a dead
nature, portrayed in paint and hung alive,
on display in this coffin’s wooden frame.
Comment: I love the way language changes the way we look at life. A still life painting becomes nature morte in French and naturaleza muerta in Spanish. Still life becomes dead nature. Fascinating. I also love the way in which the camera captures nature and the natural world. We think it is an accurate depiction, but really it isn’t necessarily that accurate. Filters, light and shadow, mood: they all fluctuate and sometimes we capture that which we never saw and sometimes that which we saw is never captured. Oh the subtle enigmas of creative art.
And it is the same with the hollyhock, my hollyhock, Geoff’s hollyhock. At the top of the page is Geoff’s painting of my hollyhock. The above is a photo of my hollyhock. Which bloom did Geoff capture and reproduce in paint? Language: and what do I mean when I say ‘my hollyhock’? My indicates possession, ownership. How and in what way does one own a hollyhock? How does one possess a garden, a flower bed, a tree? Are they not free, living, beings with a life and maybe even a mind of their own? Does one hollyhock talk to another hollyhock as the trees are said to converse with the trees? Do the trees in the garden possess a soul and if they do, in what sense do they possess one? And what is a soul anyway? I guess it depends upon the church and creed to which you belong. Certainly the garden has a life of its own and we discover that every spring when the grass and flowers grow back and the dandelions return.
Questions: dangerous things, questions. Several of the questions posed above could have landed me in an Inquisitional institute in Spain in the 1500’s and 1600’s. That is a frightening thought. Alas, the philosophy of all that is way too deep for this poor poet and apology for a philosopher. One thing I do know, though: I love the garden going on outside my window and it is a privilege to be allowed to watch it, admire it, and follow its progress as the sun returns and the draws the birds back with it.
¡Vale! Hail and fare thee well.