People of the Mist 15

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9:00 AM

Back in the apartment, Tim opened the bottle of mescal and poured a large shot into a glass. He gulped it down and the mescal burned as it rushed down his throat and into his gut. It relaxed him and he felt less haunted. Its swift invasion of his brain left him stunned for a moment and he sat down at the table, picked up his medallion and held it in his hands.

…  papier-mâché figures sway in the square … a cacophony of traditional music … massed village bands … the rhythm of rising rockets thumping into the air … dancing trees flap miniature limbs in time to the music … eyes flash from the trees’ waistbands … dryads and satyrs cavort carved and painted …  liquid motes of fiery tunes float in the air … music visible and almost tactile for a moment or two … stamping feet … stilt dancers … the music stops … young children … boys and girls … emerging from the trees … live dryads bark-skinned brown-eyed … a nymph walks over eyes open in invitation …

Tim’s mind clicked back into gear. Of course, that’s where he had seen the girl from the paper kiosk: she had been dancing in a papier-mâché tree, in the zócalo, and when the music stopped,  she invited him to join her in her tree.

            Colibrí, the tiny bird with the warrior’s soul, whirrs its wings … twin windmills, sun-dog ear-rings, draw circles round a suddenly-clouded sun … a flock of tiny feathered angels as bright as postage stamps sit in the trees in the courtyard to raise their voices in their afterlife of praise …

Tim checked his watch: if he wanted to visit the baths, it was time to get going. He got up from the table, slipped his medallion around his neck, walked out of his apartment and closed the door behind him.

Ketch Up …

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Ketch-Up …

I guess it’s going to be one of those Ketch-Up / cat’s up / catch up days. They’ve closed the schools and the little man with the weather map has pointed to everything on the gloomy grey and dark blue thunder side: rain, snow, icy rain, ice pellets, slush, sleet … it’s all headed straight for me. It’s not what I voted for when I went to bed last night. Guess it’s one of those alternate facts of life.

Never mind. “I’ll make it a true, daily double, Ketch-Up Category, Alex.”

Log fire, easy chair, great book … I’m going to finish reading Margaret Sorick’s Tainted Money, the fourth novel in her Buck’s County series … I read the other three: took me less than a day each and this one is going down just as fast. Ketch-Up? The pages are smoking as I turn them over. I’m on my computer break now, giving my eyes a rest. Then it’s “snap the cartoons” time, possibly “post a cartoon”, followed by lunch.

The wind is just starting to move the trees. Oh-oh, or do I mean eau-eau … I live in Canada’s eau-nly officially bilingual province / province bilingue … and now it’s starting to rain. I can hear the pitter patter of pellets of pluie against the fly-screens I forgot to take down last fall … oh-eau … last automne …   I guess if we had a shipping line as well as an air line we’d call it Eau Canada.

I think I’d better get off this new medication.

 

Driving at Night

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Driving at Night

Once upon a time,
my hair was brown and curly,
but now it’s straight
and as white
as this drifting snow
that clogs the windshield.

I smooth down my hair
with my fingers:
swollen knuckles,
crooked joints.

I burn with feverish thoughts
yet cold blood shivers
through my arteries.

Headlights
blind me in my good eye.
The other one’s useless
when I drive at night.

It’s a long time
since I last saw,
let alone touched,
my toes.

Putting on my socks
or tying my shoelace
is a morning no-no.

Short of breath,
of agility,
with no ability
to climb up stairs:

what happened
to my youth?

Where did
my childhood
go?

People of the Mist 14

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8:40 AM

Tim headed for the mescal sellers who inhabited little shops in a long line over by the market and went straight to his favorite stall. The shop seemed empty, so he rang the little goat bell that dangled there for customers. The owner, an old lady with greying hair, emerged from the darkness at the rear. She looked at Tim, blinked, gave a half-smile, turned it into a scowl and announced: “It’s not here.”

“What’s not here?”

“What you’re looking for, of course. I know you’re looking but ….” she stared at Tim examining him with great care. “You don’t know what I’m talking about do you?”

Tim placed his hand on his chest but the medallion wasn’t there. He felt its absence like an open wound and remembered that he had left it on the table in his apartment.

“Of course I do: I am looking for some mescal, that’s what you mean, isn’t it?”

“Of course that’s what I mean,” the old lady smiled. “ And that is why I am here, to sell you some mescal. How much do you want?”

“Just a bottle.”

“I have no bottles prepared this early in the morning. There’s some in the barrel. I can always siphon some off and give that to you. You know that ours is the purest and the best. Even El Brujo says that. We come highly recommended. It won’t take a moment,” she shuffled away and returned with an empty four litre wine bottle that had once held Donini. She held it up. “Will this be enough?”

“That’s much too much,” Tim shook his head. “I’ll never drink all that.”

“And a good thing too,” she added. “We don’t want you ending up like Alfredo.’”

“Alfredo?”

“The man you saw in the street this morning. Now: this is what you need,” she held up a two litre plastic bottle that once held Coca-Cola. “How about this?”

Well, I, uh …”

“That’s all right,” the old lady nodded her head. “I’ll just siphon the mescal out while you’re making up your mind.”

She took a thin plastic tube, inserted it in the top of a large tin container, and sucked up some pure white liquid. Then she pinched the tube, lowered its end below the level of the barrel, and carefully placed the tube in the bottle’s neck.

“There,” she said.

Tim watched as the pale colourless liquid filled the bottle. When it was full, she handed it to Tim.

“That will be ten pesos, please.”

“Aren’t you going to seal the bottle?”

She looked at Tim as if, like the guajalotero of recent memory, he had just made some nasty and indecent smell. Then she searched behind the counter and held up a bright red rubber band. She twisted it on her fingers to make it smaller. Then she tore a piece of plastic from a long roll and placed it around the bottle top. She stretched the rubber band over the plastic and handed Tim the sealed bottle.

“There aren’t any worms,” he complained.

“Worms are expensive this year,” the old lady frowned. “You want worms, I sell you worms. But I sell them separately. How many worms do you want?”

“How much are they?”

“Three for five pesos,” she replied.

“Give me five,” Tim said.

She smiled at him, showing gold teeth, and produced a packet from beneath the counter. There were five worms in it, not three, not six.

“Just what I thought you’d say,” she smiled. “You foreigners are all the same. I had them waiting in this packet, all ready for you,” she took the plastic wrapper off the bottle, opened the packet with the five worms in it, counted them out, and dropped them one by one into the mescal. Wrinkled and yellow, they had a life of their own, and they came alive as they sank and through the liquid, leaving faint yellow trails behind them.

“Your mescal will now turn yellow,” the old lady said. “But don’t worry about that. Also it will taste slightly different as the gusanos age and work their magic.”

“How much do I owe you?”

“10 pesos plus 8 pesos and 34 cents,” she does the reckoning in her head. “That will be 18.34, please.”

Tim gave her a twenty peso note and told her to keep the change. She smiled at him and bowed. He said farewell and left the shop wondering how many more times that day he would come across the witch doctor by deed or name.

 

Sushi

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Sushi

Blank walls,
white sheets
on plastic couches,
anonymous faces
naming me
by my first name,
as if they knew me,
as if they were friends.

Moments of silence.

Eyebrows raised,
as if a question
of life and death
could be framed
that way.

“Here are your choices …”

laid out like a menu
in a take out
restaurant.

I don’t speak Japanese.
The occasional photo.
The scrabbled script.
The impossible translation.

The unknown items
you choose
from the specialist’s menu
will label you for life …

… if you survive.

Puppet

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Puppet

Animated earth,
puppet of mud and blood,
my soul within you
feels soiled
by this pitiless sky.

On my back,
in the gutter,
I gaze upwards
at glittering stars.

Do they know
I’m down here?
And if they know,
do they look down
their astral noses
when they write
my horoscope,

my horror-scope
of late.

When daylight loses itself
in night’s dark weave,
what remains,
but souvenirs and dusty
photos of moments
I alone recall?

Memories cling like mud
to my match-stick frame,
and me in the gutter,
a man, right now,
in nothing else
but name.

Columbus Interviewed by Bosch

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Christopher Columbus
Interviewed by Hieronymus Bosch
on His Return from the New World

“Winged creatures came with the dark,
their human faces cast in the features
of people I knew and loved.
Subtly transformed, they seemed reborn.

Their leathery wings
creaked like horse harness
and the “Splat!” of their excrement
was a slow drum beaten to a gibberish
march of dream after dream.

What could they portend?
My sister, nose stretched to beak;
my brother, lost at sea,
his eye teeth now enlarged
to a vampire’s fangs.

Each nightmare drew something
dark from my past, dressed it in fiendish garb,
and flew it with a guide-line:
a kite’s umbilical cord attached to the shadows
shifting above my bed.”

Novel Writing Mistakes (2)

Well worth reading: another Wednesday Workshop. Thank you, Meg.

Meg Sorick, Author/Artist

This is the post you hope to never have to write…

Rewind to the weeks leading up to November 1st, 2016. I was preparing to enter National Novel Writing Month with the outline of my fifth novel: Breaking Bread. I never have all the details worked out when I write, just character studies and a list of the major events that need to move the story from start to finish. This gives me, the writer, a lot of flexibility as the novel progresses.

Not every writer writes this way. There are “plotters” –who have all the entire story mapped out in exhaustive detail. There are “pantsers” — writers who “fly by the seat of their pants,” having only the major ideas of the story figured out. And of course there are all combinations of writers who fall in between. That would be me.

There is no right way to write…

View original post 420 more words

People of the Mist 13

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8:30 AM

Tim felt the day’s heat starting to build as he walked to the newspaper kiosk. Cloud castles rose in the air and the sun’s kiln fired the clouds with warmth and color. On the sidewalk, the shadows grew stronger and a knife-edge, like a military crease, sliced a razor-sharp junction between light and dark, sun and shade. An occasional face smiled at Tim with its white streak of lightning flashing across the nut brown skin.

Musicians and jugglers lurched towards the central square to earn their daily bread and a circle of admirers surrounded a man who ate fire for breakfast, breathing it out in great gouts of flame. The music grew louder as Tim approached a musician who stood in the shade playing a danse macabre on sun-polished marimbas. Beside him, a heart of fire burned in an iron barrel and a young woman, her baby wrapped in a hand-woven rebozo slipped around one shoulder, prepared quesadillas and offered them for sale. The mother sniffed with suspicion when her baby wailed. She moved away from the fire, unwrapped the baby’s soiled nappy, wiped her child with a cloth, put on a new nappy, and threw the old one into a garbage can where the flies pounced upon it. Then, hands unwashed, she returned to her cooking.

An old half-ton, returning from the market to its home village, chugged by emitting a cloud of black smoke. People clung to the outside of this vehicle waving their hands and grinning at their friends. In the back of the battered pick-up chickens roosted on an old bed stead while a young man, astride a shining porcelain toiled bowl, strummed his guitar and sang to entertain the passengers. The intrepid travelers hung on for grim life as the truck rattled its way down the street. It almost ran Tim down as it clattered, half on, half off, the sidewalk, avoiding this and that, the donkey in the road, the old woman crossing, the policeman with his whistle who directed traffic. Tim jumped out of the way. El Brujo, with one arm around the old man he had rescued, sat in the front seat, next to the driver. The witch doctor punched the driver on the arm, ordered him to stop, put his head out of the truck window, and called to Tim.

“You have forgotten how to walk in the woods. You have forgotten how the dead leaf separates from the tree and tumbles earthward in its longing to be free.”

“I don’t understand you,” Tim said. “You speak in riddles.”

“Then here’s a riddle you must solve,” El Brujo scowled at Tim. “You must look for a young girl who will wrap your heart in laughter. She will feed you milk and honey. Your heart will grow roots and begin to flower. When the Bird of Paradise calls your name, your heart will grow wings and fly. A sunbeam on its plumage will fill you with glory. Your tears will disperse and turn into feathers; sun people will chase you through the clouds and crown your heart with a rainbow crown.”

Amid a cacophony of horns and hoots, bystanders bowed and raised their hats as they recognized El Brujo. The witch doctor included them all in a generous wave and a shouted ¡Adiós!, then punched the driver of the guajalotero in the arm. The engine revved and the old truck rumbled away, shooting a cloud of filthy black smoke out of its exhaust, and backfiring with a vicious last fart as it turned the corner and vanished out of sight.

Tim stood at the roadside for a moment, shrugged his shoulders, and went to the newspaper stand where a young girl offered him a paper. He thanked her, counted out the change, and exchanged the handful of coins for the piece of newsprint. As Tim gave her the money, their fingers touched and sparks flew at the point where his skin met hers. She jumped back and Tim stared at her. He was sure he’d never seen her before.

“I’m so sorry,” Tim said. “That was quite a shock.”

The paper-seller had dark brown eyes, almost black, with the enormous depths so typical of the native born.

El Brujo spoke to you?”

“He’s mad, raving mad,” Tim told her.

“Don’t say that,” she said. “He’s a good man and a poet. They say he has visions and can predict the future as well as read the past.”

“You mean he’s a fortune-teller?”

“No, not a fortune-teller, not in the sense I think you mean. He told me this morning you might be passing this way about now. I came to see if he was right,” she gave Tim the shyest of smiles and cast her eyes down.

“Nonsense,” Tim waved the paper and brushed away any trace of magic that might be lingering in the air. “You don’t expect me to believe that, do you?”

“No,” she kept her eyes down. “He said you were an unbeliever and would need much convincing.”

“Well, thank you for the paper anyway. It was a pleasure talking to you.” Tim crossed the road and hurried away from the paper stand.

“Well?” said the girl’s uncle, emerging from the inside of the kiosk where he had been listening to the exchange. “Is he the one?”

“I don’t know,” the girl’s eyes clouded over. “He might be. I’m not sure. I didn’t sense anything special about him and I couldn’t sense any medallion. But we’ll soon find out,” she put her hand to her chest. Her eyes lost their focus as she gazed into a distance of time and space.

“Could you get close to him?” the man asked.

“I doubt it,” she replied. “He’s not meant for me.”