Magician

I stand on a tiny platform, high above
the upturned faces of the clamouring crowd.
Before me, the high-wire stretches across
the diameter of the circus tent.

Clad in the enormous shoes of a clumsy clown,
I grip the wire with the toes of one foot.
Now I must choose – umbrella or pole?

The spotlight outlines my face’s whiteness,
the bulbous nose, the fixed, painted smile.
My jaws clamp tight in concentration.

Clutching the brolly, a good old gamp, I walk
the thin wire plank of my current destiny.
One step, two steps, tickle you under the chin,
and I pretend to fall, grasp the wire, and raised
by the crowd’s gasp of despair, swing back up.

Then, a yard from the finish line, I swallow dive,
turn a somersault in the air, and land on my back
in the middle of the safety net as the crowd goes wild.

“The magician works on the threshold that runs between light and dark, visible and invisible.” John O’Donohue, Anam Cara, p. 145.

“The most difficult role in the play is that of the fool – for he who would play the fool must never be one.” Don Quixote.

Painting: Fire Sky by Moo.