Thought Police

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Thought Police

Why are they always men,
these blue-clad figures
who wear our dreams like badges
and stare into our eyes,
bright lights behind them,
as they check our numbers
and make us count from one to ten
and up and down again.

Be warned:
you can’t walk in the street
without seeing a curtain
flicker at a window;
unseen lips repeat your words
as they wander,
stray cats and dogs,
from house to house.

Walls have watchful eyes
and lusting ears
that clutch each wayward thought
reporting it to people
who have our best interests at heart,
or so they say.

Don’t look up
but there’s someone
leaning over you,
reading these words right now.

Questions

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Questions

I hear her voice, delicate, distant and I run to the sound, jump on the table, and sit in my usual spot just beside her play thing, but she isn’t there. He’s there, damn it, talking away on that little black thing with buttons. I can see him, smell him. I hate him, his other sex perfumes, his heavy-footed shuffle, his loud voice, his walking-sticks. I run when he approaches, run and hide myself away, making myself small, fitting under furniture where he can’t get at me, trying new places, new spaces …

Downstairs in the basement is good. He has problems with the stairs – shuffle, shuffle, clump, clump – and I get plenty of warning. Not that he ever comes downstairs to the basement. There’s nothing down here for him and I can sit here and snooze and dream and wait for my darling to come back. She will come back. I know she’ll come back. I know she’ll never abandon me, like she’s abandoned him. I am faithful, I can wait.

Besides which, I am training him. It takes time, but he’s beginning to understand that he must do things my way now. I chat him up for food and whisk myself around his legs and down comes the kibble, like manna from heaven. He often spills the food, so I get extra bits, nipping in quickly while he searches for a broom or a dustpan, or that noisy sucking thing I hate so much. That’s not just him, I run when she uses it too: it hurts my ears. And my feelings: I think they’re shooing me away because they don’t want me near. Not that I want to be near him, oh no.

I stay away from the upstairs and the bedroom while he’s here alone. Sometimes we meet on the stairs when I have completed my ablutions, but I give a little shimmy and scoot and leave him star-struck and stranded. He’s just not quick enough. He’s not cruel, mind. He doesn’t kick me or hit me with his stick or anything like that. I just don’t like men. I remember that other man, the one that beat me before she came to the place with all the other cats and cages and took me home. I think all men are like that first man, if you give them the chance, and I’m not giving this one a chance, not until I’ve trained him properly. And he isn’t trained yet. I wonder how long I’ve got?

There he is, hanging on to that little black thing, and when he stops talking, I can hear her beloved voice. It’s distant and a little bit tinny, with a sort of echo, and there are other sounds in the background that I can’t quite make out, but it’s her, I’d know her anywhere, and I whimper and scratch, and he puts down a hand in my direction, but he doesn’t tempt me, and then he holds that black thing down and she calls me by my favorite names and I sit there, silent, and gaze into space, remembering her touch, her gaze, her hand upon my neck, my back … no, I won’t let him that near me, not yet.

Yesterday, he sat at her place by the table and turned the picture machine on. Then shadows appeared and her voice came out of the machine. The shadows moved and played and people chatted back and forth and I didn’t understand it, I just didn’t understand. My whiskers stiffened and I sat there and bristled. The machine was warm and I snuggled up to it, behind the flat piece, where I could listen but he couldn’t quite touch me, even though he stretched out his hand. And she called my name, again and again, but I didn’t move, I just sat there and sat there, waiting.

Then I came to the front of the machine where the shadows danced and her voice was stronger. A shadow, I couldn’t make it out, then her voice again, my whiskers stiffened, I leant forward and sniffed, but no smell, it was her voice, and the shadow shifted the way she does, but they had no smell, and scentless, I could not really sense her, I bristled and she called me, called me by my favorite names, and mewed, I mewed back.

But I couldn’t smell her, and there was no sense of touch … is this the hell all pussy cats will suffer … shadows on a screen, a haunting voice, memories shifting and dancing, no touch, no hugs, no sense of smell … and nothing solid … just shadows and absence … and a sense of chill … forever and forever?

Absence Makes the Heart: Flash Fiction

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Absence makes the heart
Flash Fiction

 Time on my hands: so precious these moments alone, with my wife gone away to visit our daughter and our grand-daughter. I didn’t want her to leave me here alone. But I thought she needed the break, the space, and I also thought the women needed time together without the troublesome presence of a man. So many ideas flow back and forth when the man isn’t present, ideas that women share and debate, female anxieties that they will not discuss in front of the male, questions of children and development, teething and first words, actions and reactions, left-handedness and right-handedness, backwards and forwards skills that they will not discuss with the same comfort if the man is there.

I miss her. The sun filters through the kitchen and the autumn leaves store up sunlight like an old precious wine before they fall. Wine: I sip slowly at this bottle filled with life and sunshine, bottled sunshine they call it in Spain, sol embotellado, and I know that although I am alone, my friends are there, at the end of the telephone line. I can call them if I need them and anyway, they call me often or drop in once or twice a day to make sure I am okay. If I walk around the block or knock on their doors I know I will be greeted with warmth, an arm around the shoulder, the offer of a meal.

Thanksgiving is near. I already have two invitations for dinner and another lady, much lonelier than I am, has offered to buy the Thanksgiving food, bring it round, and cook it for me. She will also clean up after wards and leave the house cleaner than when she arrived. Can you believe it? I get company, companionship, and no, they are not the same thing, a cooked meal, and a house clean all together. It’s like winning the lottery.

But really, I prefer this solitude, my adventures with the cat, my slow stroll, not through the autumn woods, but through the leaves of this book. I like exploring my own mind, linking myself now to the self I was when I first read these pages and yes, there have been crises, and there will always be crises, and this is not a crisis, not yet anyway.

I remember when I was in boarding school. First day back from the holidays, I would draw a railway engine, and a train track, and I would number the days until the holidays came around again. For the first few days, I would cross off each day. Then, one day, as the new routine took control of my mind, I would forget to do so and the days would all blend into each other.

The new routine: get up earlier than usual. Go down and feed the cat. Make sure the cat had water. Change the kitty litter and make sure that her litter box is clean. Hoover around the litter box and pick up all the spilled litter. Place used litter in the garbage. Put the cat garbage on one side ready for Monday morning when the garbage men come around. Finish with the cat. Wash hands carefully. Then wash them again.

Downstairs I go. I put the kettle on and debate what I shall have for breakfast. Tea or coffee? Cereal or eggs? Muffins or toast? Breakfast for one is so simple. I take the easy route. Green tea with honey, no milk, no sugar. Some yogurt. Some grapes.

I sip my tea and thumb the pages of Carl Jung’s book, The Undiscovered Self.  I love her and miss her so much, but I am glad she has gone. Her absence allows me to re-discover my own presence. I learn about myself once more. I remember who I am and what I am and how I survive when I am on my own, abandoned, set adrift to fend for myself.

I get up from the breakfast table, look around the house, and find my Teddy Bear. The cat will not come near me, so Teddy it is. I set him on the table next to me and tell him all my news. Then I tell him what is happening on the news. Together, we sit and wait for the phone to ring. If she doesn’t call soon, I’ll call her myself. But not yet, not just yet: I’m still discovering my undiscovered self.

Maritormes

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Merry Tormes

Men of La Mancha

“Carters and peasants
found me soft to the touch.

I’ve had my fill of everything,
save money, youth, power, fame …
yet pleasure brings its own reward.

I never treasured money
more than the sweet caress,
flesh on treasured flesh.

Better a trellised bed
with horsehair blankets
than that bed of sour, dry earth
where I will one day lie.

Come:
let us strike a bargain,
for when midnight strikes
there’s no one prettier than I
for that is the hour of my greatest
power.

Lead me then to where
I can get your full attention.

But keep me far from madmen
who call me outlandish names:
virgin, maiden, sweet and chaste …

 … all foreign to my every intention.”

 

 

 

 

Gifts: Wednesday Workshop

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Gifts
Wednesday Workshop
16 November 2016

Gifts or blessings? I am never sure which is which for many a gift is a blessing and many blessings are gifts and sometimes the ones come disguised as the others.

So here I am, in retirement from a career in teaching. I miss my students. I miss the hurry and scurry of the classroom, the deadlines for essays and exams, the highs and lows, the setting of goals, the solving of problems, the light at the end of the tunnel when, after four years, the students, armed with their degrees, set out to face the world, their world, their  brave new world fit for brave new students.

Nowadays, I feel like the lost man, the forgotten man. The deadlines have gone. There is no more rush and tumble. Peace rules the office in my house and dust and spider webs gather in the corners of my mind. I am reminded of the words of Francisco de Aldana: “lo mejor es estar muerto en la memoria del mundo” / best of all is to lie dead and forgotten in the memory of the world. Then I look around me and see the gifts.

From Megan Strong:

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“Do I have to write an essay?” Megan asked me. “Couldn’t I do something else?”
“What would you like to do?”
“A painting. I’ll explain it in Spanish.”

And she did. There are no essays pinned to my walls, but this gift of a painting reminds me of something very precious: a student’s will to be creative, the presentation of knowledge in formats that are not necessarily the expected ones, the ability to be flexible, to understand, to open one’s eyes to the world around one, to see and encourage talent. These were the blessings, some of them anyway, that came with Megan’s gift and her ability to paint.

From Jane Tims:

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Clare and I visited Jane in her studio home. We drank tea and shared the afternoon sunshine together. Then, just before we left, Jane asked us to choose a painting. Clare chose this one: Apples. We went home and, after much thought, placed it on wall in our kitchen, just beside my chair. I see it everyday and so does Clare. It brings light and warmth to the room and reminds us of Jane’s gifts: her writing, her poetry, her research skills, her drawings, and her paintings. This one above all, for it is so meaningful to us and brings us light, peace, and stillness: such precious gifts.

From Jan Hull:

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I cannot say enough about this stone sculpture gifted to me by Jan Hull in Shediac, New Brunswick, on November 4, 2016. Jan Stoneist has taken one of the motifs from my book Stepping Stones and has placed it on the left hand side of the carving. On the right hand side she has taken one of the verses from the book and added my name. The result is both a gift and a blessing. Jan searched carefully for the right surface on which to carve her offering and finally found it: Welsh Red Sandstone. What better gift for a poet from Wales … and indeed, Jan makes me feel truly blessed.

From Ainsley Swift:

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In the days immediately after my retirement, when I found myself at the bottom of the well, looking up at the daylight through a long, dark tunnel, Ainsley appeared at my door and asked me if I would be willing to mentor her as she was having some difficulty with certain aspects of her studies.  Brightness descended upon me and Ainsley and I have worked together for some time now. One day, she turned up with a brown paper parcel and announced that “This is for you.” I didn’t even know that she painted, let alone that she was a talented artist. Another gift, another blessing, light breaking where no light shone, and that brightness still surrounding me.

From Juanra Sánchez:

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What does one say about the man who persuades the retired stone-cutter in Avila to make one last carving in the style of the verracos that were carved by the Celt Iberians thousands of years ago? Here it is, my own verraco, gifted to me by the best of friends who, every Sunday for four consecutive summers, drove me around the Province of Avila and showed me the love he held for his land. Thanks to Juanra, I saw places and things, too many to enumerate,  that no tourist will ever see. A weighty gift indeed, and a true blessing that will last as long as granite bulls stand firm beneath wind, rain, and snow.

This verraco comes with a story. It is very heavy and very solid. I placed it in my carry-on bag and hoped that nobody would think to weight it. Tired of carrying it on my shoulder at the airport in Madrid, I stood in line, then placed the bag upon the ground. The line wasn’t moving, so I walked a few paces to the wall and leaned up against it. Lines shuffle and flex, as we all know, and that’s what happened. Gradually a small space opened up between my bag and the man in front of me. The man behind me was impatient to close that gap. He looked at me as I leaned against the wall. I half-closed my eyes and watched him. The line shuffled forward. He brought his leg back and gave my bag a mighty kick, right on the rear end of my granite bull. I can still see that man hopping on one leg, cursing, and my bag sitting there, having moved not an inch.

Gifts and blessings, along with kind words and actions, move the heart and soul. I will write more on this subject at another time. Meanwhile, remember the old song: if you can’t sleep, “count your blessings instead of sheep.” I just did and five of them are listed right here.

Bacchants

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Bacchants
after

Velásquez

Go down to Queen Street
on a summer evening,
or walk to Odell Park
and look in the dark
beneath the trees:

you’ll find them
gathered round a fire,
drinking meths or after-shave.

Fly Karsh from Ottawa.
Lodge him in the Beaverbrook
then bribe these Bacchants with free
booze and bring them to him.

One day their photos will hang
with those of Hatfield or Robichaud
in the New Brunswick Hall of Fame.

That’s what Velásquez did
when he painted his dwarfs
and topers, and you can see them
in the Prado today,
as famous as
Spain’s King and Queen.

El Cristo de Carrizo

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El Cristo de Carrizo

For Tanya Cliff

“Contemplate this crucifixion.

Each time you sin
you plant a fresh
thorn in your savior’s
crown.

Each misdemeanor
spears the sacred side
or hammers a nail
in hand or foot.

Christ lives in you.
your daily misdeeds
nail him daily to the cross
he bears for you.

No death, for him,
no resurrection:
just an everlasting hanging
from these nails you daily drive.”

Court Dwarfs: Velásquez

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Court Dwarfs

Calabacillas, the idot of Coria;
Francisco Lezano, the child of Vallecas;
don Diego de Acedo, the cousin;
and don Sebastián de Morra
in his red velvet coat:

a pride of lion-hearts,
these medieval jesters,
blown up
in some practical joke to
a full life size
that competes with their majesties
for our dialogue
with this time and place.

 Their captive souls
run the gauntlet
of their canvas jails.

Their eyes
recall those of Segismundo,
imprisoned in his tower,
drugged, then dragged
from darkness
to the palace’s brightness.

On his return to prison:
“Man’s greatest sin
is having been born,”
he cries.

Heir to a kingdom,
surviving in darkness,
rags and chains
binding his royal flesh:

 “Life is a dream,”
he sighs,
“and every dream,
a lie.”

Lorca

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Federico García Lorca

 Solidaridad screamed out from posters and stamps
that carried snapshots of the dead poet’s face.

We still haven’t found his body.
He said we never would.

They tortured him first,
taunted him for being homosexual:
trussed him up, laid him face down,
then shot him, for a joke, in the offending area.

It didn’t take him long to die.
When he did,
his body was dumped in some way out ossuary.

But first they carved the bullets out of his corpse,
three from around the anal tract,
keeping them as souvenirs.

 Later that night, Fascists, drunk,
laughed uproariously in their favorite bars.

They dropped the bullets into their wine
and drank to the re-establishment of law and order.

 Next day his friends were put to death.

Waverers were soon convinced by bullets
lodged at the base of another’s skull …

fine arguments …

Monkey Reviews Retirement

Monkey Reviews Retirement

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“No more Latin, no more French, no more sitting on the old school bench.”

Monkey chants this famous ditty as he relaxes in the whirlpool bath, a glass of white wine on the tray before him and his faithful tablet sitting beside it.
“The olde order changeth …”  Monkey pauses and takes a sip of wine, “… lest one good custom should corrupt the world.”

“Welcome to heaven,”Monkey lies back in the jacuzzi and the beating waters whirl around him, sending him into a dream world.

No more committee meetings: The unter-monkeys sit in a circle, where all are equal but some are more equal than others.  They pass a lyre bird feather  round and round, weeping crocodile tears and lying through the tight monkey  grins of their alligator teeth.

No more writing reports: The dead text he revises is composed of misquotes, harsh judgements,  double-talk, and outrageous lies.

No more long-term contracts: “Will the defendant please rise. Sir: I sentence you to a term of two years’ detention at this institution, renewable for another two years. And, should you continue to to do well, and should you fail, over that four year probationary period, to fall by the wayside, or to do anything wrong, I sentence you to life imprisonment, till death do you and the institution part. Amen!!!”

No more promotion: Inmates with crowded heads and vacant faces, fools grinning at a universe of folly, paddled in piddle beside him.

No more cabin fever: Monkey has worked for forty years among foreigners and lunatics afraid of the rats who keep him company, devoured by his monkey lust to drive silver knives and forks through the watch springs of their inhuman, foreign hearts.

No more penis envy: They lounge in glass cubicles, checking each other out for size, weight, length, girth, with a roll of the eye, and a casual flicker of a forked lightning tongue.

No more water-fountain gossip: They prefer death by blow-gun, their poison dart injected through hollowed fangs or Chinese Water Torture, the slow drip after drip of poison inserted into ears and veins, a drop at a time, and slowly gathering … until their victim slows down, ceases to struggle, stands there, eyes open, unable to move, poisoned and paralyzed.

No more gala occasions: … gripping cup handles between finger and thumb, enormously pleased to be the center of attention, however clumsily they walk,  in their hired-for-the-occasion, ill-fitting,  black and white penguin suits.

No more macaronic Latin: Caesar adsum jam forte, Brutus aderat; Caesar sic in omnibus, Brutus sic in at!

No more thought police: The Thought Police try to make him change his mind. Others, in blind obedience to a thwarted, intolerant authority, first bully him, then beat him, then bite him till he’s dead.

No more Wittgenstein: Or is it just the act of perception, as Wittgenstein would have us believe, and nothing more, the money always spinning on its metal edge, never falling, the coin on its axis, a new day with its potential,  sunshine or shadow, thrown dice still skittering, a new world  imperceptibly poised in its own making?

No more Camus: “Il faut imaginer l’esclave heureux.”

No more Shakespearean tragedy: Down in the kitchen, the cooking staff are preparing the next nutrition break. As the cauldron boils and bubbles, three old monkey witches dance around the pot and polish that bright red poisoned apple.

No more annual reports: Monkey is not übermenschen, nor is he untermenschen, either. He thinks of himself as honorable mention, not a whole chapter in the book, but rather an interesting footnote to one of those less important pages that abound in local histories.

No more kowtowing to a vacant authority: “Yadda, yadda, yaddathree bags  full … and a fig for the frigging king beneath my frigging cloak.”

No more drugs: The bartender measures poison and monkey slips it skillfully into his veins.

No more avoiding direct questions: When asked where he grew up Monkey will now say “I don’t think I have.” When asked what he did for a living, Monkey will now say“I no longer know.”

There’s nothing more to say. The jacuzzi whirs on and on and Monkey continues his voyage serenaded by the buzzing of the bees as he walks past  the cigarette trees on his way to the soda water fountain.