Monet at Giverny 13-16 /16

“Though lovers be lost, love shall not;
and Death shall have no Dominion.”
Dylan Thomas 

Monet at Giverny
13-16 /16

13

fish aloft like birds
skimming wet sunshine

spring’s first swallow
rising from the depths
to snatch a golden note
quivering in the air

14

thunder raises dark ripples

lightning a forked tongue
insinuated into paradise

an apple tossed away
caution thrown over the shoulder
as sharp as salt

15

winds of change

that first bite
too bitter to remember

 16

timeless this tide
this ebb and flow

oh great pond-serpent

biting yourself

forever

 

Monet at Giverny 9-12 / 16

“Though lovers be lost, love shall not;
and Death shall have no Dominion.”
Dylan Thomas 

Monet at Giverny
9-12 /16

9

the lady of the lake
holding out her hand
handing him an apple
l’offrande du coeur
a scarlet heart of flame

 monochromatic this island
brown earth in a crimson lake
the world reborn in tulips

10

especially
when the dying sun
molten fire spreading
its limpid light

sky brimming over into pond
trapped in low clouds
a slash of colour here
and there a tree
a fountain of gold

 the sun an apple
blushing
on a setting branch

11

silver-white the money plant
moonlight between fine-tuned fingers
its rattle of seeds

blunt the moon’s bite
raked from water
gaunt its gesture
matched ripples
face to face
with the moon

12

upside down these clouds
bright in their winter boats

the night wind blows
clean dry bones
across the sky

 

 

Remembrance Day Flash Fiction

 

039

Remembrance Day
Bistro 20

Previously published on
http://commuterlit.com/2015/12/wednesday-remembrance-day/

            The old man watched a drop of red wine slide slowly down the side of the bottle. It was November 11, his birthday.

Seventy-three years ago, Father John had taken the boy’s ear lobe between thumb and forefinger and pinched the nail deep into the flesh until the blood ran.
“This afternoon you will go down to the bamboo grove and cut a cane. Bring that cane to me and I will bless it.”

That night, the boy woke up. Snuffles, snores, and an occasional sob broke the dormitory’s silence. The bamboo was a long, cold serpent drawn up in bed beside him.

The next day, he awoke to his seventh birthday.

Father John beckoned and the boy followed him to his cell and knelt with his hands stretched out like those of Christ on the Cross. The priest struck him with the bamboo cane six times on each hand.
“Your Savior, blessed be His name, suffered more, much more for you,” the priest sighed. “Examine your soul. Find fault with each flaw, for you are unworthy. Remember: the eye you see is not an eye because you see it,” Father John droned on. “It is an eye because it sees you. Christ sees you as you kneel there. He sees. He knows. He judges. Examine your soul with care and stay there until I return.” The priest raised his right hand and made the sign of the cross in the empty air.

The boy spent his birthday kneeling before the crucifix in prayer. He contemplated the wounds of Christ. He imagined each blow of the hammer and imagined the pain of cold nails biting into his warm flesh. He tasted bitter vinegar as it dripped off the sponge, gasped at the thrusting spear, felt the lash’s sting as it fell across his flesh. He became the flagellated Christ and knelt before the crucifix, staring at himself eyeball to eyeball in the same way he looked at himself in the morning mirror. The crucified Christ gazed back at him, his brother, his soul mate, his double.

After an hour, a red drop of paint slipped slowly from the nail hole in Christ’s right hand. The boy blinked. The red drop trembled then fell.
After two hours, Christ opened his eyes and smiled at the boy.
After three hours, salt-water formed at the corner of Christ’s eye. It glistened in a sunbeam that entered through the cell’s narrow window.
After four hours, tears began to flow down flesh and painted wooden face.
It was Remembrance Day, the boy’s birthday. He was seven years old.

Seventy-three years later, the old man sat at the table. He watched the red wine trickle down the bottle. He remembered it all and his tears flowed again.

Monet at Giverny 5-8 /16

“Though lovers be lost, love shall not;
and Death shall have no Dominion.”
Dylan Thomas 

Monet at Giverny
5-8 /16

5

wisteria and his curly blue locks
Narcissus clad in an abyss of lilies
imperial his reflection and perilous

slowly he slides to sleep
merging into his imaged dream

a vaulted cathedral
his earthbound ribs
the blood space immaculate

6

night and day and sun and clouds
leapfrogging over water

something survives
sepia tints
dreaming on and on

exotic this sudden movement
Carassius auratus flowering

 7

Clos Normand and the Grande Allée
closed to him now
folded his flowers
their petals tight at his nightfall

dark their colours
mourning for his mornings of light
fled far from him now

8

can we soften this sunstroke of brightness
le roi soleil threatening to blind us?

rey de oros
the sun glow braiding itself
an aureate palette

a susurration of leaves

 

 

Monet at Giverny 1-4 /16

“Though lovers be lost, love shall not;
and Death shall have no Dominion.”
Dylan Thomas 

Monet at Giverny
1-4 /16

1

his lily pond
a mirror shattering
shards of clouds
flames beneath the lilies
fractured fish

2

the executioner stripes evening
a+cross the sacrificed horizon

in blood we were born
in earth will we rest

our flesh turned to bread
empurpled this imperial wine
streaming with day’s death
these troubled waters

3

green footprints the lily pads
a halo
this drowned man’s beard
liquescent

like the gods
he dreamed
he walked dry over water

flowering goldfish
this thin line of cloud

4

maples flash ruby thoughts
ripples flowing outward
as heavy as a henge

this altar tumbling
downwards
through a liquid sky

Building on Sand 7-9 /9

“Though lovers be lost, love shall not;
and Death shall have no Dominion.”
Dylan Thomas

Building on Sand
7, 8, & 9 /9

7

Tight lips.
A blaze of anger.
A challenge spat
in the wind’s face.

High-pitched
the rabbit’s grief
in its silver snare.

The midnight moon
deep in a trance.

If only I could kick away
this death’s head,
this sow’s bladder.

Full moon
drifting
high in a cloudless sky.

8

After heavy rain
the house shrinks.
Its mandibles close.

 A crocodile peace
descends from the jaws of heaven.

I no longer fit my skin.
Iguana spots itch.
Walls encircle me,
hemming me in.

 The I Ching sloughs my name:
each lottery ticket,
a bullet.

 None with my number.

9

Late last night I thought
I had grasped the mystery:
but when I awoke
I clasped only shadows and sand.

 

 

Building on Sand 4-6 /9

“Though lovers be lost, love shall not;
and Death shall have no Dominion.”
Dylan Thomas

Building on Sand
4, 5, & 6 /9

4

There are striations
in my heart, so deep,
a lizard could lie there,
unseen, and wait
for tomorrow’s sun.

A knot of
sorrow in daylight’s throat;
the heart a great stone
cast in placid water,
each ripple
knitted to its mate.

Timeless,
the worm at the apple’s core
waiting for its world to end.

Seculae seculorum:
the centuries
rushing headlong.

5

Matins:
wide-eyed
this owl hooting
in the face of day.

Somewhere,
I remember
a table spread for two.
Breakfast.
An open door.
“Where are you going, dear?”

Something bright has fled the world.
The sun unfurls shadows.
The blood whirls stars
around the body.

“It has gone.” she said. “The magic.
I no longer tremble at your touch.”

6

You can drown now
in this liquid
silence.

Or you can rage against this slow snow
whitening the dark space
where yesterday
you placed your friend.

The silver birch wades
at dawn’s bright edge.

Somewhere,
sunshine will break
a delphinium
into blossom.

Building on Sand 1-3/9

“Though lovers be lost, love shall not;
and Death shall have no Dominion.”
Dylan Thomas

Building on Sand
1-3/9

1

Everywhere the afternoon|
gropes steadily to night.

Some people have lit fires;
others read by candlelight.

 Geese litter the river bank,
drifts of snow their whiteness,
stained with freshet mud;
or is it the black
of midnight’s swift advance?

They walk on thin ice
at civilization’s edge.

Around them,
the universe’s clock
ticks slowly down.

2

 Who forced that scream
through the needle’s eye?

 Gathering night,
the moon on the sea bed
magnified by water.

 Inverted,
the big dipper,
hanging its question
from the sky’s dark eye lid.

 Ghosts of departed
constellations
walk the night

Pale stars scythed
by moonlight
bob phosphorescent,
flowering on the flood.

3

 The flesh that bonds;
the bones that walk;
the shoulders and waist
on which I hang
my clothes.

Now they stand alone
beneath the moon
and listen at the water’s edge
to the whispering trees.

 They have caught the words
of snowflakes
strung at midnight
between the stars.

 Moonlight is a liquor
running raw within them.

 

 

Old Man Flash Fiction

IMG_0051

Old Man
Bistro

Old Man

I’m an old man now, discontent with the rumbles of incontinence that surge like an express train through my guts. They told me the after effects would last a year to eighteen months after the cancer treatment, and it’s nearly a year, and it should be over, but it isn’t, so I sit here, in my car, outside the washroom in the local park, waiting for that urgent call that will send me limping to my destiny and soon now, I know it will be soon now, as the cold shiver grips me, and then I start to sweat, great pearls of salt water, trickling down forehead to nose, and I open the car window, and there she is again, in a green and yellow string bikini, the twelve year old who has haunted me for the last ten minutes, ghosting round, staring at me, looking at the car, and behind her, her parents, her grand-parents, her family, muttering in some strange and ancient tongue, about this old man sitting in his car by the public washroom, being stared at by the girls, the boys, the young people as they enter and leave, bees around the honey-pot, and they gather by my car, and mutter and grumble, raising their voices and pointing their fingers at me, at the car, and always that surging wave of grumbled accusations, rising like this tide, this hot, red tide that now rushes through my guts and rumbles me towards my destiny, a plastic seat in a tin shack at the edge of the woods in a public place, this park, where I have every right to be, and the girl’s long blonde hair whisks again and again past my window, and she points and the old ones mutter, and there’s the boy again, squeezing himself, and looking cute, and I can guess what they’re thinking and saying, even though I don’t understand a word of their language, yet their grumbles are loud and their fingers are sharp and pointed in my direction, and I can see a cell phone, now, with a man taking pictures of me and the car and the number plate, and someone else is dialing, I can see their fingers punching the keys and I know they would rather be punching me, my face, anything they can get their fists into and why not, because it’s a free world and if I am what they seem to think I am, a predator after their children, not an old man, incontinent, in urgent need of the washroom yet afraid to brave the crowd and leave the safety of his car, then they would indeed have every right to be pointing at me in this way …. but hey, everybody is innocent until they are found guilty by twelve honest men, and twelve of them now gather out there pointing at me as I sit, glassy-eyed, sweating, afraid to move in case I make it worse, just hoping that they and this terrible pain will go away, this pain, this train, this express train, rumbling through my guts to its inevitable conclusion … and too late, I’ve left it too late, dammit … and so, rooted to the earth and this spot, I soil myself again.

 

Dalí’s Clock 5, 6, & 7/7

“Though lovers be lost, love shall not;
and Death shall have no Dominion.”
Dylan Thomas

Dalí’s Clock 5, 6 , & 7 / 7

5

In a distant ward,

an alarm bell rings.

White rabbit

with a syringe;

dark tunnel

down which

I must plunge;

bitter draught

I must drain

to change

my life

forever.

I wait for Dalí’s giraffe

to burst into flame

and call me

with its voice

of fire.

6

I grasp

with fingers of gorse

at moon and stars.

Everything I touch

turns into gold.

Sleek

aureate plumage,

bright tiger’s eye

of this yellowhammer

chipping at

his block of song.

7

When I lose it, whatever it is,

my fingers pick at seams,

tissues, skirts, shirts, jeans,

or strip a label from a bottle;

or they break bread, or

there are so many things I can do,

personal things.

On the table,

a vacant cereal bowl,

a silver teaspoon in a saucer,

an empty teacup

returning my round moon stare.

My hands terminate

in pointless needles.

They unpick stitches;

then try to knit them

back together again.