Desaparecidos

IMG_0137.jpg

Desaparecidos

Last year, in Fredericton Mall,
a mother lost her little girl.
They found her in the women’s washroom
where two old ladies were cutting off her hair
and dressing her in a young boy’s clothes.

Wanted in Winnipeg.
Vanished in Vancouver.
Cheap alliterations in tabloid headlines
disfigure each tragedy.

Sometimes we think we recognize their faces.
This young girl with an old woman’s body
standing at a Yorkville window.
That other girl on Yonge Street
selling her body for drugs.
That flash of underage flesh
mounted by strangers
and glimpsed in a pirate video.

Do you call for call girls when you travel?
That midnight knock on your hotel door
is someone’s missing daughter.
You saw her once before on an airport advert
or on the carton of milk you opened
for your family’s breakfast.

What traveling salesman would you trust
to take your only daughter’s body and treat it well
while she promised him the sexiest time
he would ever have?

But in Goya’s Spain
it’s the males who disappear
usually during the night.

Most times, their families never see them again.
Sometimes, as in this etching,
their bodies are found, nailed to a tree
or dumped in a side street with the garbage.

¡Olé!

F1000008

¡Olé!

The vaquilla charges the picador, bravely,
receiving her wound, then returning for more.
¡Olé!

Braveness in the stance, the head erect,
eyes open, watching the teenage torero,
suit of lights sparkling, sequined sequences,
feet dancing, cape held low, the vaquilla
on train tracks, gliding past.

¡Olé! ¡Olé!

The vaquilla charges at shadows,
plays her role in this meta-
theatre of cape and sword.
But it’s only make believe.
The vaquilla pauses at centre stage,
flanks heaving heavily, baffled, mocked.

¡Olé!

The farmer leaps the barricade, grabs her tail,
tugs her to the ground, stands on her neck,
and shears her horns.
The maiden, mocked and marked,
escapes through the gate:
the scent of the fresh blood flowing
arouses the waiting herd.

¡Olé! ¡Olé!

El Cristo de Carrizo

F1030024 2

El Cristo de Carrizo

For Tanya Cliff

“Contemplate this crucifixion.

Each time you sin
you plant a fresh
thorn in your savior’s
crown.

Each misdemeanor
spears the sacred side
or hammers a nail
in hand or foot.

Christ lives in you.
your daily misdeeds
nail him daily to the cross
he bears for you.

No death, for him,
no resurrection:
just an everlasting hanging
from these nails you daily drive.”

Cave Paintings: Altamira

IMG_0177 2.jpg

Cave Paintings
Altamira
(11,000 BCE)

Cold rock presses on shoulder and neck.
Sunshine dwindles until daylight is a distant star.
A great weight of earth weighs me down.

The tour guide strikes a crimson spark.
Firelight flickers, shadows dance, animals appear:
deer, elk, boar, buffalo.

Magic illusions
created from fat, charcoal, red ochre, ash …
how long have these huddled herds
grazed their way across these walls?

 My spirit sweats as elders anoint
my flesh with bear grease (for strength),
with greyhound hair (for speed),
with wolf blood (for tenacity on the trail).

They brush my eyes with eagle feathers.
Now I am a hunter.

I envision the animal my arrows will pierce.
My backbone arches like a bow.

 I shoot thought arrows:
my beloved dances her death dance on tip-toe.

Butterflies

18 June 2002 butterflies in ditch 021.jpg

Butterflies

We raise our hands:
you sever them at the wrist.

We lift our arms:
you measure us for a cross.
Where do we turn?
Our fingers bleed from scratching
our skulls in bewilderment.
They catch on the thorns
you so thoughtfully provided.

Stigmata?
No, you haven’t nailed us yet.
Great barbed hooks penetrate our bellies,
inflaming our guts.

Like live bait,
threaded to tempt Leviathan,
we squirm.

Like butterflies
awaiting your chloroform jar,
we tremble

Your collector’s pin is poised:
that final thrust will skewer our flanks
and claim us under glass.

Eternally.

Lorca

F1030024 2

Federico García Lorca

 Solidaridad screamed out from posters and stamps
that carried snapshots of the dead poet’s face.

We still haven’t found his body.
He said we never would.

They tortured him first,
taunted him for being homosexual:
trussed him up, laid him face down,
then shot him, for a joke, in the offending area.

It didn’t take him long to die.
When he did,
his body was dumped in some way out ossuary.

But first they carved the bullets out of his corpse,
three from around the anal tract,
keeping them as souvenirs.

 Later that night, Fascists, drunk,
laughed uproariously in their favorite bars.

They dropped the bullets into their wine
and drank to the re-establishment of law and order.

 Next day his friends were put to death.

Waverers were soon convinced by bullets
lodged at the base of another’s skull …

fine arguments …

Monkey Presses Delete

img0046_1

 

Monkey Presses Delete

Monkey loves walking behind the gorillas.
He loves to see fear in faces, tears in eyes
as the gorillas smash and grab and break down doors.

The gorillas break and enter: and when they do,
monkey simply points and gorillas do their thing:
it’s that simple …

Monkey has a code word he took from his computer course.
“Delete!” he says with delight
and the gorillas delete whatever he points to.

He loves deleting parents in front of children,
though deleting children in front of their parents
can be just as exciting.
He also loves burning other people’s books
and deleting their web pages.

The delete button excites monkey:
maneuvering the mouse tightens his scrotum
and he feels a kick like a baby’s at the bottom of his belly
as he carefully selects his victim and “Delete!”

The gorillas go into action:
ten, twenty, thirty, fifty, seventy years of existence
deleted with a gesture
and the click of an index finger pointed like a gun.

Juggler

IMG_0038

 

Juglar /  Juggler
(from Land of Rocks and Saints)

1

 In the beginning was the word,
and the word was tossed in the air:
a dove over dark water.

It grew as it descended,
turned into tongues of flame,
each of them licking
at the listeners’ hearts,
tearing them apart.

Sleight of hand:
this deck of words, tossed skywards;
jacks and queens tumbling,
caught, tossed up again;
words, nothing but words,
this pack of wolves descending.

2

 Lips part as words draw blood;
red wound of the open mouth,
a rose in spring’s garden
bears us down with crimson scents.

The spirit is trapped in its cage,
flesh and bone binding those wings
with their urgent urge to be free and fly ….

“… you would have seen …” he says.

And so we see: the sea, white horses cresting,
St. James riding over the mountains,
bone on lance point, spear bloodied,
Moorish chain mail bursting asunder,
El Cid advancing on his foes.

Words join with words,
become joint with gesture;
they plunge into our chests,
grow tight round heart and lungs.

Juglar: In Spain, the mediaeval juglar was musician, singer of songs, juggler, and general entertainer. The oral tradition still thrives in Avila and in places where the rhythmic and musical emphasis of the spoken word is still important.

Talking 4

IMG_0185

 

Talking with my mother in an empty house

4

the room is alive with light
a halo of sunny sainthood
gilding old furniture

rich gold sunlight
sparkling with dancing dust
enhances silk flowers

polished scarlet tongues of fire
call for your presence
yet you are absent now
I am the one who dusts them
and adds to their gloss

 do they still throb vibrant
 in the early morning light?

 indeed they do
dust rises from your poinsettias
and dust angels dance in the sun

how many to each leaf?

 I bend my head to look
and sense dry leaves brushing
rough lips against my face

Talking 3

IMG_0185

3

our conversation this morning
a sun-dried Roman aqueduct
no longer capable of carrying water

I envision brown sacking
lagged around leaking pipes

your words are lifeless kites
earthbound: too heavy to rise
each sentence: wasted
movements
 of lips tongue teeth

dead soldiers gone over the top
my thoughts hang like washing
pegged out on the Siegfried Line
on a windless day

I am afraid of this enormous barbed
wire fence growing daily between us