Gaza Street

This is the original version. It is much better than the revision that I posted earlier. Sometimes, when we revise, we lose the freedom of thought and association that comes with the early version. Message: keep your variations and keep an open mind. Over-elaboration is the poet’s worst enemy.

Wingless in Gaza Street

amputees deprived of flight
they flutter grounded in the gutter

galley slaves chained to broken oars
they ply blunt stumps relentlessly

shorn of strength and beauty
their once glorious shuttles weave dark circles

my mouth is a full moon open in a round pink circle
bone and its marrow settle in subtle ice

futile fragility of the demented heart pumping
its frequency of fragmented messages

frail beauty torn from its element of air
this brightness of moths drowning in inky depths

the seven o’clock news brought to you
from an otherwise deserted street.

Wingless in Gaza

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Wingless in Gaza

amputees
they buzz an unending dance
in the dusty gutter

galley slaves
chained to broken oars
they ply rhythmic
blunt stumps

shorn of strength and beauty
their once coloured shuttles
weave dark circles

my mouth is a full moon
open in a round pink circle
shadowed by a skull
bone and its marrow
settle in subtle ice

futile fragility
of the demented heart
pumping the same frequency

fragmented messages
panicked veins

frail beauty
torn from its element of air

this brightness of fragile moths
wing-shorn
drowning in the inky
depths of the gutter

the seven o’clock news brought to you
from an otherwise deserted street

Aubade

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 Aubade

Fluffed up in their look-out points,
the birds in the garden complain of the cold
with short, sharp calls.

A life of ease they seem to live,
but when the mercury descends and water freezes
icy blinds inside our window panes and snow-
squalls bluster in from north and west,
who knows what’s best for those poor birds?

Crows, aloft in their crow’s nest spars,
sailing snow’s seas,
steadfast in their skippering of wind-bent trees
don’t seem to suffer so much.

This Arctic cold is such
that neither man nor beast can love it,
crouched close to whatever warmth there is,
shivering in the wind’s cold touch.

Driving home from the hospital,
bullied by fierce winds on a snow-packed road,
I dream as I drive.
I envision a past that never was,
a future that may never be.

As I hibernate in that past,
last summer’s flowers flourish in my mind.

The car skids into a snow bank
and my world shakes in shock.
A thirty wheeler rumbles by:
there are so many ways to die.

Clematis

Not clematis, but bruised clematis clouds.
I’ll keep looking.
Maybe I’ll find the real things.

The clematis unfolds bruised purple on the porch. Beneath the black and white hammers of ivory keys, old wounds crack open. A flight of feathered notes: this dead heart sacrificed on the lawn. I wash fresh stains from my fingers with the garden hose while the evening stretches out a shadow hand to squeeze my heart like an orange in its skin. Somewhere, the white throat sparrow trills its guillotine of vertical notes. I flap my hands in the air and they float like butterflies, amputated in sunlight’s net. The light fails fast. I hold up shorn stumps of flowers for the night wind to heal and a chickadee chants an afterlife built of spring branches.
Pressed between the pages of my dream: a lingering scent; the death of last year’s delphiniums; the tall tree toppled in the yard; a crab apple flower; a shard of grass as brittle as a bitter tongue at winter’s end. I know for sure that a dog fox hunts for my heart. Vicious as a vixen, the fox digs deep at midnight, unearthing the dried peas I shifted from bowl to bowl to measure time as I lay in bed. I sense a whimper at the window, the scratch of a paw. I watch a dead leaf settle down in a broken corner and it fills me with sudden silence.
Midnight stretches out a long, thin hand and clasps dream-treasures in its tight-clenched fist. The lone dove of my heart flaps in its trap of barren bone and my world is as small as a pea in a shrunken pod. Or is it a dried and blackened walnut in its wrinkled shell of overheating air? Sunset, last night, was a star-shell failing to fire. Swallows flew their evensong higher and higher, striving for that one last breath lapped from the dying lisp of day. Its last blush rode red on the clouds for no more than a second’s lustrous afterglow.
I lower the delphiniums, body after body, into their shallow graves. Night’s shadows weave illusions from earth’s old bones and rock becomes putty, malleable in the moonlight. Midnight readjusts her nocturnal robes and pulls bright stars from a top hat of darkness. Winged insects with human faces appear with the planets and clutter the owl’s path. Night swallows the swallows and creates more stars. The thin moon hones its cutting edge into an ice-cold blade.

Now that’s a clematis bruise!

Three Witches

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Weavings on a back-strap loom,
figures hand-braided from straw, then painted.
When the witches cast their spells,
these tiny figures dream themselves into life.
We gaze spellbound at their dancing.

Three witches: one spins the yarn,
one measures the cloth,
one wields the black obsidian knife,
trimming each tiny thread.

Infinitesimal clockwork figures
balancing on wool, their mouths opening
and closing, silent, like goldfish.

Wooden teeth comb each thread,
the shuttle always moving, weaving whose fate?

Interlaced castillos, scintillating cities,
grecas floating lighter than this relámpago,
this lightning that lightens the air.

Crazy Glue

The autumn leaves: what does it take with it when it goes? And what does it leave behind?

Crazy Glue

Late last night, a fallen star grazed by the lamp-post. A bouquet of golden sparks flew from an iron tree and sanctified the gutter. The gas lamps sputtered patiently in uniform rows. A scarecrow stuttered into the limelight and shook my hand. She was wearing my grandmother’s Easter bonnet, with all the flowers renewed, but she couldn’t keep my heart from last winter’s left over crumbs. Suddenly a tulip thrust through the concrete. It became as red as a robin and flew into the lounge bar of a public house. The bronze leaf necklace circling my throat filled with a flow of springtime song. My heart stood upright, a warped piano in my breast, and my skeleton tarried at the corner to play knuckle-bones with the wind. Torn butterflies of news fluttered round and round and kissed my eyelids when they closed. Yesterday’s horoscope winked its subversive eye and called to the hermit in his lonely cell: “Look out for the stranger with the tin can alley smile. Tie your heart to the tail of the first stray dog that comes whistling down the street and follow it home to the empty house that breathes in and out, moving thin membranes of memory.”
            That’s where I now live. Upstairs, downstairs, a lonely route I tread while the wind at the window scratches tiny notes. Something breaks loose in the confines of my mind and walks beside me. My twin brother stalks through this silvery sliver of splintered glass, this simian mirror wrinkling our troubled suits of skin. I glimpse the old moon’s monkey face through a broken window. Jagged and thin, it wanders like an itinerant snail, cobbled with clumsy clouds. Once, I descended the playground slide in a shower of sparks. A vagabond in a paving stone sky, I rumbled across metal cracks, a knapsack of nightmares humped on my old man’s back. Tell me: when the snail moves house, who stores the furniture he leaves behind? The hermit crab lurks naked on the beach, seeking new lodgings. Who killed the candle and left us in darkness?
            Two eyes in limbo watch me roll this snowman’s belly of flab across an unknown, clouded room where yesterday I got lost in the mirror. I know how to swim, but I would have drowned, except the light was too shallow and my feet touched bottom when I let the wheels down. I swam on and in looking for a deserted island on which to build my idle sand castle dreams. Two people said they saw my reflection swimming like a goldfish in the silver of that secret space. They said I stared back out at them with circles of longing ringing my eyes; but I laughed when they said they had seen me, for when I looked in the mirror this morning to shave, I just wasn’t there. My razor dragged itself over an empty space and its sharpened blade scraped white music from the margin of a cd rom that spun on edge like dust rings round a vanished planet. Now there is a black hole where my passport photo used to thrive. Someone plucked me from the circle and cut me out in the dance last night. Today I’m looking for a scrapbook in which to stick myself with crazy glue that never, never, ever comes undone.

Babs

Babs

It was March 17, St. Patrick’s Day.

Babs held the cat in her arms. The vet slipped the needle into the shunt he had inserted into the animal’s paw and the tiny wind of life gusted from the cat’s fragile body. The struggle ceased. The cat’s head settled and her tongue protruded, just a little, in that beloved and well-known gesture. It was all over.

Babs had found that lump, hard, but smaller than a pea, on New Year’s Day. The next day, she carried the cat to the vet where they took blood samples and ran tests. The vet’s assistant called later that afternoon. A lymphoma, she said, small but deadly. Steroids might help. They would give the cat a 40% chance at a life that would get more difficult, in spite of any known treatment. The alternative was to bring her back in and put her down now, that very afternoon. Babs looked at the cat: highlights strayed through her fur and her bright eyes sparkled like sunshine on a lake.

Throughout January the steroids went in and the cat glistened and grew fat. At first, Babs saw no sign of the lump but by Robbie Burn’s Day it was back. Babs started to count the days: January 31, February 2. The lump grew larger.

Three years before, on Valentine’s day, Babs had salvaged the cat from the SPCA where she languished, abandoned in a cage. The cat was a stray, half feral, taken in from the streets and subject to who knows what sort of treatment and feeding in its infancy. Babs wondered if it was in those days of neglect that the cancerous seed took root? Or did those seeds come later, when the cat wandered the garden and fed off the wild life, mice and voles, and drank from the streams that flowed through the killing fields with their fertilizers, their weed killers, their nutrients, and their poisons?

“What are we doing to ourselves,” Babs wondered as she sat at the kitchen table and sipped a cup of tea. “Was my cat the canary in my coalmine, doomed to warn me of what’s to come? Will my own system be invaded then poisoned with cancerous growths? Will I be subject to that stumbling, downward road that leads in the end to an inevitable death?”

She lay awake that night alone in the bed wondering in what ways cancer might ravage her body. How long would chemotherapy keep her alive? Who would be there for her, who would hold and comfort her, who would slip that releasing needle into her veins when her time came?

Babs ran her fingers over her body as she imagined herself sliding day by day down that slippery slope that leads to the grave. Then she caught her breath, her heart raced, and her blood turned to ice as her fingers tripped against the colony of killers: three small hard lumps that nested in her soft breast.

Water Falls

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 Water Falls

    What is it about running water
that it explodes like long, blonde
hair over moss and rock
frothing with sunlight the diamond
sparkle, the freckling sound,
light flickering downwards,
fine threads of angel hair
tumbling from above, falling,

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white, over earth’s rocky shoulders,
pillowed across soft green quilts

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poured down from heaven’s skies
watering the earth’s dark throat,

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sinking through the soil
emerging in rivulets and brooks
until all waters are one
and the rains join hands
to splash, rejoicing,

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dryads and naiads bathing
together in deep, cool pools,
nymphs reborn, acrobats over rocks
as water falls to seek the sea.

Dark is her shop

Dark is her Shop

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I buy two liters of white mescal, cheap and rough,
without the second brewing: fire water, not smooth.
Two liters: she sells them in an old Coke bottle
she’ll seal with cellophane, and a rubber band.
Six worms I buy. Bedraggled fighters dragging
smoky trails as they plummet through a yellow sea.

In the shop next door I buy poinsettias.
When I get home, I put them in a vase
and watch them, red-eyed, watching me.
Bloodstains scratching a white-washed wall.

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Misshapen gems in a ceramic prison, their beauty
breaks me down: a fragmented world, decimated
words, metaphors born from worms and mescal.

The eyes I see are not eyes because I see them:
they are eyes because … twin brown ovals …
they watch me as they float in a liquid mirror
within the upraised glass held by my hand.

Outside, beyond the balcony,
sun -blood melts like sealing wax.
The bougainvillea strains sharp stains
through a lonesome slice of sunlight
giving birth to flamboyán and tulipán.

My lemon tree leans over to listen.
Glistening pearls of dew embellish
its morning throat. Christmas decorations
these postage-stamp minstrels, thronging
each branch, filling me with song.

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Butterflies, winged flakes of archaic paint,
flutter from temple walls leaving them barren.
Church towers, strong when terra firma shakes,
quiver insubstantial. Mescal melts the morning,
a miracle, this quiver of shimmering air.

Sacrifice

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Last night, a cataract of flame
flowed down the cathedral wall.
A wooden bull danced in the square,
sparks struck fire from his horse-hide hair.
A red speck on my shirt burned through to my skin.

Today a heart of fire burns in an iron barrel:
who will be chosen for the daily sacrifice?

A sharp blue guillotine poised between
buildings: this slice of morning sky.
Scorched circles, open mouths:
wide-open butterfly eyes burn holes
in the crowd’s dark cloud of a face.

A street musician stands in the shade
beneath the arches playing a marimba.
Sun tip-toesits danse macabre
across bamboo tubes. Sunlit bubbles
float dreams across the square.

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