Carved in Stone 45

Carved in Stone

45

No candles burned at that altar.
A single match, let alone
a candle flame,
would spell the end,
if gas leaked from the seam.

Only the canaries,
confined in their cages,
sang songs.

Doomed,
like the blind pit ponies,
never to see the light of day,
they lived out their lives
down there.

So many died underground,
unable to get out,
buried alive,
before they were even dead.

Commentary:

“Only the canaries, confined in their cages, sang songs.” Yet the miners often sang, in their own cages, as they were lowered down from pit-head to seam. It wasn’t the songs that worried them, it was the silence. The men could rarely smell the gas, but when the canary stopped singing and toppled from its perch, then the men knew that bad news hounded their heels. As for the pit ponies, how did one get them out? Some of those mines, had been dug 5,000 feet deep and two or three miles out to sea. A pit pony should never be confused with a sea horse, and as for the white horses that surge in the waves in so many paintings, well, pit ponies need to be laundered before they can compete.

“Good-bye old friend.” I remember the photo from WWI of the dying horse, surrounded by crying men. The suffering of the animals is what men feared and pitied most. The animals are innocent. They do not ask to be sent underground, nor to be sent to war. They have no choice, poor things. So sad, when a dear, four-footed friend dies, so far away from the light of the sun. As for the men, there were no “safe rooms”, those reinforced rooms filled with food and water, not in the early days, anyway. A camaraderie, yes, but not many people went down to the mines willingly. Rita MacNeil summed it all up in her wonderful song that begins ‘It’s a working man I am.” – How many people, if they ever saw the sun, would ever go back underground again.”

Rhondda Fawr

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Rhondda Fawr

To be Welsh on the coalfield
is to speak the language of steel and coal,
with an accent that grates like anthracite ‑‑
no plum in the mouth for us; no polish,
just spit and phlegm that cut through dust and grit,
pit‑head elocution lessons hacked from the coal‑face.

We sing arias and deep, rolling hymns
that surge from suffering and the eternal longing
for a light that never shines underground
where we live our lives and no owners roam.

Here “gas” and “fall” mean violent death
and the creaking of the pine pit‑prop is a song‑bird
suddenly silent in its cage warning of danger
soon to be upon us…

… words and music stop in our throats
as up above us the sad crowds gather.

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