Sun and Moon 11

IMG0076_1

 

Sun and Moon 11

nochebuena[1] – a star spreading crimson fire
girasol – bright mirror to his golden face
colibri – hovering on a whirr of wings

am I less than a flower or a bird?

if my fingers could grow feathers…
if my face could sprout petals and leaves…

hollow bones whistle a sad song
the sailor lost at sea
the wanderer asleep in foreign soil

both far from home

[1] Nochebuena / Poinsettia; girasol / sunflower; colibri / humming bird.

Sun and Moon

Sun and Moon

My poetry put to music: a new venture for me. This is Cat Leblanc’s version of Sun and Moon. I’ll add the words later. In the meantime: thank you so much for this Cat. Beautiful voice, beautiful music: a Fredericton, New Brunswick singer who is well worth following.

https://soundcloud.com/catleblanc/sun-and-moon

Brandy Cove

img_0186

Brandy Cove

for my cousin
Frances
who lives in
Australia

I remember helping our nana
climb the steep slope
from the beach to the headland.

“It’s easy, nana,” I said. “Look!”
I leaped from tussock to tussock,
up the path, each patch of grass
a stepping stone leading me upwards.

She stood there, below me,
breathing hard, her left hand
held against her chest,
just beneath her heart.

“I’m catching my breath,”
she said, panting.

I ran up and down, then held out
my hand to help her.

It was so long ago.
Who now will hold out
her hand to help me
as I too age and grow
slow?

In Praise of the WYPOD

img_0202-1

In Praise of the WYPOD
(Cheryl, Jude, Judy, Julie, Rachelle)
and
My Other Blogging Friends

How do I love you? Let me count the ways.
I love you when together we start to write
for although you’re always out of sight,
you’re never out of mind. So many days

we’ve spent sitting at keyboards, tapping
at computer keys. Is this the way to please
each other, a choosing of words, a squeeze
of meaning into a smaller space, overlapping

metaphors and images improved in ways
we never dreamed of on our own? Each
to his or her own, we say. Yet we reach
out to each other over time and space,

not joined at hip or lip, but with energy and zest,
sailing similar seas, and trying our very best.

Dydd Dewi Sant Hapus.

14633208_10207317214799871_1242532105939959170_o

To be Welsh on Sunday


(This poem should be read out loud,
fast, and in a single breath!)

To be Welsh on Sunday in a dry area of Wales is to wish,
for the only time in your life, that you were English and civilized,
and that you had a car or a bike and could drive
or pedal to your heart’s desire, the county next door,
wet on Sundays, where the pubs never shut
and the bar is a paradise of elbows in your ribs
and the dark liquids flow, not warm, not cold, just right,
and family and friends are there beside you
shoulder to shoulder, with the old ones sitting
indoors by the fire in winter or outdoors in summer,
at a picnic table under the trees
or beneath an umbrella that says Seven Up and Pepsi
(though nobody drinks them) and the umbrella is a sunshade
on an evening like this when the sun is still high
and the children tumble on the grass playing
soccer and cricket and it’s “Watch your beer, Da!”
as the gymnasts vault over the family dog till it hides
beneath the table and snores and twitches until “Time,
Gentlemen, please!” and the nightmare is upon us
as the old school bell, ship’s bell, rings out its brass warning
and people leave the Travellers’ Rest, the Ffynnon Wen,
The Ty Coch, The Antelope, The Butcher’s, The Rhiwbina Deri,
The White Rose, The Con Club, the Plough and Harrow,
The Flora, The Woodville, The Pant Mawr, The Cow and Snuffers …

… God Bless them all, I knew them in my prime.

Comment: When I was living in Wales, back in the fifties and the early sixties, the country divided itself into counties that could drink alcohol on Sundays (wet Wales) and those that couldn’t (dry Wales). There were twelve counties in those days and people commuted from the dry to the wet, on Sundays, if they wanted to drink. Some took the wet / dry divide very seriously. Others didn’t. Where do I stand? I refuse, even now, to say. But check out, very carefully, the attached photo. Not every rugby coach has his name engraved on a beer spigot in a rugby club in Santander, Spain. Happy St. David’s Day, everyone. Dydd Dewi Sant Hapus.

Water 2

15 May 2002 Pre-Rimouski 277

Rain Stick

The bruja turns her rain stick upside down.
Rain drops patter one by one,
then fall , faster and faster
until her bamboo sky
fills with the welcome
sound of rushing water.

An autumnal whirl of sun-dried cactus
beats against its wooden prison walls.

As I look heavenwards,
clouds gather,
rain falls in a wisdom of pearls,
cast from dark skies.

The scales fall from my eyes
and land on the marimbas,
dry beneath the arches
where wild music sounds,
half-tame rhythms,
sympathetic music
like this rainstorm
released by the bruja’s
magic hand.

(bruja: witch, witch doctor)

Comment: Every afternoon, in the rainy season, as regular as clockwork, the clouds build up and by five o’clock, the rain comes tumbling down. Nothing can describe the welcome smell of cool rain on dry dust and hot sand, the sound of raindrops pittering through the trees to splash on dry leaves, or the hiss of water on hot cobbles.

When the rain doesn’t come, then the Oaxacans who believe in the ancient traditions resort to sympathetic magic. They ask the brujos for help and the witch doctors bring out their rain sticks. Sympathetic magic: the sound of the sun-dried  cactus thorns falling through the hollow rain stick imitates the sound of the rain falling on the rain forest leaves. The clouds gather in sympathy and, sooner or later, the skies fill up with clouds, and down comes the rain.

 

Water 1

15 May 2002 Pre-Rimouski 277

Water

Water seeks its final solution as it slips from cupped hands.
Does it remember when the earth was without form
and darkness was upon the face of the deep?

The waters under heaven were gathered into one place
and the firmament appeared.
Light was divided from darkness
and with the beginning of light came The Word,
and words, and the world …

… the world of water in which I was carried
until the waters broke
and the life sustaining substance drained away
throwing me from dark to light.

The valley’s parched throat longs for water,
born free, yet everywhere imprisoned:
in chains, in bottles, in tins, in jars, in frozen cubes,
its captive essence staring out with grief filled eyes.

A young boy on a tricycle bears a dozen prison cells,
each with forty captives: forty fresh clean litres of water.
“¡Peragua!” he calls. “¡Super Agua!”

He holds out his hand for money
and invites me to pay a ransom,
to set these prisoners free.

Real water yearns to be released,
to be set free from its captivity,
to trickle out of the corner of your mouth,
to drip from your chin,
to seek sanctuary in the ground.

Real water slips through your hair
and leaves you squeaky clean.
It is a mirage of palm trees upon burning sand.

It is the hot sun dragging its blood red tongue across the sky
and panting for water like a great big thirsty dog.

Comment: Water: such a precious commodity, and more than a commodity, the very substance of life. Without it, we shrivel and die. Vegetation struggles to survive, the desert shifts its boundaries outwards, and a high tide of sand rises to engulf the cultivated land.

In Oaxaca, Mexico, the Atoyac, the Green River, often runs dry. When it does, women kneel on the sand and pebbles to dig holes into which the water seeps. They wait for the holes to fill and use little cups to pour that water into their buckets. These water holes are also used to wash their clothes and they hang them out on the riverbank bushes to dry beneath a burning sun.

Twice I have been in Oaxaca when the rains have not arrived. I have seen the reservoirs sink lower and lower as the sun laps up the precious liquid and no rain falls. Oaxaca, with or without rain, is a land of dry toilets, chemical toilets, chemicals to put in the tap water when you wash and peel fruit and vegetables. You drink only bottled water. It is sold to the households in forty litre bottles and hawked round the street by boys on tricycles who cry out their wares.

In Oaxaca, almost every house has its own supply of water. The flat roof, azotea, catches the rain when it falls and channels it into large internal cisternas that trap the water and keep it cool.  Water to waste is a luxury that few can afford and most water is recycled when possible in one way or another.

The rules are strict: drink nothing direct from the tap; do not clean your teeth in tap water;  beware of ice cream and ice cubes; drink only water delivered from trusted hands. In addition: eat food only from establishments with running water and a reputation for safety. Avoid street vendors, especially the little ladies in the street who cook over open fires and and change their babies’ nappies only to return to their cooking with unwashed hands … There are so many things you learn if you want to be safe and streetwise. Above all, close your nose to the delights of those wonderful street side cooking smells.

 

The Dancer 10, 11 /11

IMG_0068

10

on Monte Albán the danzantes
sway to soft music
their shadows dance in and on stone
as they have danced for centuries

wind rustles the grass
moon casts sharp shapes

darkness ascends the temple steps
huge fingers grasping upwards
an owl’s feathers clutching at the skies

at dawn tomorrow
the sun will rise beneath our feet
we will squint down on its majesty
we will pluck the ripeness of its orange
in our outstretched hands

11

our last night together
I pluck a blossom from the tulipán tree
a final offering of my love

she gives it back
I place it in the pocket of flesh
where I once kept my heart

tomorrow when the flower breaks
it will stain my shirt
a damp splash of blood
no longer running in my veins

the scent of our happiness
will cling forever to my fingers

The Dancer 8,9 /11

 

IMG_0068

 

8

inside my dancing head
the fires have gone out

without her hands to guide me
my feet have turned clumsy

scars layer my wrists and ankles
star crossed bindings
cutting against the grain

I gather a harvest of stars
she holds them in her eyes

her fingers are grasshoppers
making love in my hair

when she kisses my fingernails
one by one
we both know our bodies will never be the same

9

together we weave a slender cage
she cuts out my heart with her tongue
placing it on an altar inside the bars

she locks the tiny door
a silvery key wrought from moonstone

my fluttering heart grows miniature wings
next time the door is opened
my wings will fly me to her lips

my heart is a caged bird on a tiny perch
it chirrups a love song
its image in the mirror answers back

breathless it scrapes its wings on the moon
its body striving upwards to the stars

Fire

img_0294

Fire

Fire
a double sword

Fire
the beginning
and fire the end

Fire
the means of forging
the Omega and Alpha
that surround us
day by day

Fire
surrounds us
but leads us
nowhere

we must create
our own path through
fire

to the life beyond
fire

so many things
to save from
fire

so many things
to be consumed
by fire and flame

Comment: Fire is a raw poem, written this morning, based on two other posts by two other writers, Meg Sorick and Mr. Cake. It is nice to receive a creative spark from other bloggers. Thank you both. Here are the links:

Meg Sorick

https://drmegsorick.com/2017/02/22/fire-creeps-in/

Mr. Cake

https://cakeordeathsite.wordpress.com/2017/02/21/fire/https: