Seagull

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Kingsbrae 12.4
12 June 2017

Seagull

Seagull on the wind
wing tip tilted
for maximum lift

Wheeling up and away
the gull-wing sway of him
climbing his celestial staircase
in a rush of blue air

Light his flight steps
danced to wind music
played over beach and wave

Watch him wave good-bye
with a waggle of his wings
and a well-judged flick
his sea gull tail painting
neat brush strokes

Comment: Looking through my notebook, I saw the original of this poem, scribbled while I sat in the car, waiting for my friend. I re-read it and admired its simplicity. So I copied it here. The earlier poem I wrote, with the same title, Seagull, is more worked and much more elaborate. You can find it here. I would be interested to know which of the two versions you prefer. A second question: can they both stand as separate poems, even though they overlap in their inspiration and imagery? Let me know what you think.

Sea Gull

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Kingsbrae 11.3
11 June 2017

Seagull

… slipping sideways on the wind,
wing tip tilted for maximum lift,
wheeling up and away, magnificent
his movement, the gull-wing sway
as he climbs his celestial staircase,
that blue vault, high in the sky,
upwards, in a rush of indigo air
brushing his black back, fine
his feathers and broad and firm,
cousin to the distant dinosaurs,
those hollow bird bones, built
to bear their enormous bulk,
yet light his flight steps, this cloud
ballerina, treading on tipped wings,
dancing to sky music, white
bones herded by the wind, crisp
their notes, across cerulean pastures,
the wind whistle sharp over bay
and beach, oh watch the gull go
with a waggle of his wings,
a butt of his red-ringed beak
and his bird-tail tagging …

Fête / Fate

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Fête / Fate

Clowns are clowning,
playing up to the crowds.
The stilt walker in his top hat
climbs up to the clouds.
The man on the unicycle
tips his hat, winks his eye
at all the little girls
as they pass him by,
one on a white horse,
one with a teddy bear,
and one who’s invisible
and is no longer there.

 The tight-tope walker
walks his plank
trying not to fall
on wondering,
upturned faces
and open eyes
that watch it all.

The seals do their sea-side thing,
balls balanced on their noses,
tossing beach balls upwards
to the little girl who poses,
then juggles them so cleverly
while the clowns start to sing.

The magician conjures rabbits
and covers them with flowers.
Everyone is happy, though they’ve
been sitting still for hours.

On the trapeze, a little slip:
the artiste falls through the air.
She doesn’t have a safety net.
The silent crowds just stare
at her body twitching there:
yellow sawdust, golden hair.

Comment: This poem was written in Kingsbrae, but I don’t think it will be part of the Kingsbrae Sequence. I wrote it this morning after reading in the online Guardian about the developments circling around Brexit in the wake of the recent UK election and Naomi Klein’s article, also in the Guardian, on The Shock Doctrine. Life is indeed like a circus, as the old song says, but we’re in grave danger of falling off the trapeze.

It’s Over

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It’s Over

The big top’s empty now.
The crowd’s gone home.
The trainer’s put down his whip
and lions and tigers are safely
asleep back in their cages.
Dim are lime and spotlights.
Yellow glow caravan windows
as juggler and clowns wipe
clean their grease paint smiles,
strip off their sequined clothes,
and prepare for bed. One by one,
the lights go out until darkness
rules menagerie and circus.
Only in the heads of little boys
and girls do the dancers still dance,
the ponies still prance, the tamers
still crack their whips and hold up
their chairs to keep wild animals
glued to their perches, while high
above, in the bedroom’s canvas roof
wire walkers strut their stuff, above
white sheets and the safety nets
of Teddy clutched, and mattress.

Sous-Chef

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Sous-chef

“I’ll be your sous-chef,” she said,
with a twinkle in her eye,
and she was as good as her word.

She brought me all the ingredients,
laid them out in the right order,
peeled potatoes and carrots,
sliced onions under cold water
to ensure that neither of us cried.

She added crushed garlic into hot
oil, measuring spices and slicing
the chicken into chunks.

I extracted the cork so the wine
could breathe. We sipped sherry
and talked of wind and weather,
of our time together, and how
we would grieve when, early next
day life would force us to part.

Later that night, after dessert
and liqueurs, we climbed up
the stairs and she joined me
in bed, in a sur-chef adventure

that went to my head, with me
as the sous-chef, her as the head.

Comment: Very rare, raw, naughty poem. I wrote it in the garage this morning, waiting for my tires to be rotated. It was cold, I was bored, and I needed warming up. This is one of those poems that I might regret later. I certainly hope not. The rhythms aren’t quite what I wanted, so I may re-do it, and possibly sharpen up the recipe. Your comments and advice will be welcome.

Love Poem @ 70

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Love Poem @ 70

1
We walk on tiptoe round the garden,
peeling free the sunlight cloud by cloud.

Sometimes, the heart is a sacrifice of feathers,
bound with blood to an ornate altar.

Petrus:
this rock cold against my chest.
Piedra:
centuries of stone carvings
come alive in your face.

If our arms were to meet
around these columns
of sun-warmed flesh and stone,
what would become of us?

2
Beneath my skin, the woad
flows as blue as this evening sky.
Your skin is bronzed
in the warmth of my gaze.

Yellow light bends
low in the fields below us,
each darkening pool
a warrior fallen
beneath time’s scythe.

The moon paints a delicate circle.
Its great round eye opens out
above the rooftops,
a cathedral window
opening on the sky.

Tonight it bears
the wisp of an eye lid
carved from  cloud.

Your teeth are diadems of whiteness
aglow in your face.

We tie shadows to our heels
and dance in triumph
to the village music
sounding in street and square.

3
Daylight bends itself round rock
and turns into shadow.
We flourish in blocks of flickering flames.

Dreaming new selves from roots and branches,
we clasp each creation with greedy fingers.

Dark angel bodies with butterfly wings,
our shadows have eloped together.
They sit side by side holding hands
at a table in the central square.

4
Church bells gild the barrio’s rooftops.
Our fingers reach to the skies and hold back light.
We draw shadow blinds to shut out the sun.
Night fills us with stars and a sudden sadness.

We dream ourselves together in a silent movie,
closed flesh woven from cobwebs
lies open to a tongue-slash of madness.

The neighbor’s dog wakes up on the azotea.
He barks bright colors as dawn declares day
and windows and balconies welcome the sun.

Can anyone see the dew-fresh flowers
growing from our tangled limbs?

Your fingers sew a padlock on my lips:
We listen to the crackle of the rising sun.

Easter Seals

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Easter Seals

So, I’ll put my cards on the table:
it’s Easter and the seals are dancing
in the garden, and they are ring-tailed,
like raccoons, and they’re dancing
because it’s Easter and they’re Easter
Seals after all and you can’t blame them
for dancing when their time is upon them
and they’re in season and everybody
dances when the time’s right, don’t they?,
because I know I do, and I’m dancing right
now, dancing with joy and happiness
because last night, for the first time in two
years since I started my cancer treatment,
I only peed once, at half past three,
and I went to bed at ten and dammit,
that’s five and a half hours of sleep,
for the first time in two years, and I
usually pee every ninety minutes
and that’s five or six times a night,
but last night, I peed just that once,
and I went back to bed and I slept
for another four and a half hours
until eight o’clock in the morning
and that was almost ten hours straight
for the first time in … well, you remember,
I don’t need to repeat it yet again …
but boy, do I ever feel good this morning,
and yes, I’m laying my cards on the table
and I’m dancing, just like those Easter Seals.

Comment: I finally finished my poetic journal, A Cancer Chronicle, and I put it up on Amazon last Friday. A Cancer Chronicle is sub-titled ‘one man’s journey’ and in it I write about my reactions to the treatment I received for prostate cancer. I met many people at the cancer hospice during my eight week stay, most of whom were a lot worse off than I was. I admired the courage of my fellow sufferers and learned so much about human beings and how they face adversity. I was particularly impressed with the bravery of the women who were suffering from breast cancer. They were so strong, so courageous. In spite of their troubles, my fellow patients reached out and helped me from the first day of my stay. They pulled me through the difficult days and shared their experiences with me. I will never forget them. If this book can comfort just one cancer sufferer, I will be so happy.

It’s just a guess, but I am assuming that finishing A Cancer Chronicle took a weight off my shoulders and allowed me the peace of mind to finally sleep. I do hope that this is a milestone and that my recovery will continue. Pax amorque / Peace and Love.

Yellow

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Yellow

Sunshine and daffodils
and my grand-daughter
paddling in the kitchen sink
as her mother washes
the breakfast dishes.

“Sit,” the child says and “stand,”
following the words with actions.

Yellow, she says, yellow,
as daffodils fill the screen
to shine in that far-off kitchen
a thousand clicks away by road
but instantaneous as the child
reaches out to hug the I-Pad.

Yellow, she repeats, yellow.

Soon she will see the daffodils
dancing their spring dance,
snow gone,
beside the lake,
beneath the trees,
yellow, yes, yellow,
tossing their heads
dancing
yellow in the yellow
breeze.

Comment: Another raw poem, straight from the journal, with only minor revisions. We Skyped yesterday and discovered that our grand-daughter had added another word to her vocabulary: yellow. She repeated it again and again, with great joy and energy, as she paddled in the kitchen sink.

Daffodils 3

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Daffodils

For ten long days the daffodils
endured, bringing to vase and breakfast-
table stored up sunshine and the silky
softness of their golden gift.

Their scent grew stronger as they
gathered strength from the sugar
we placed in their water, but now
they have withered and their day’s done.

Dry and shriveled they stand paper-
thin and brown, crisp to the touch.
They hang their heads:
oncoming death weighs them down.