Jacuzzi

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Jacuzzi

Warm and safe,
womb waters whirling,
drifting me through time,
eyes closed, and space.

Amniotic, this liquid,
rocking me to the throb
of my mother’s heart.
I close my eyes.

The walls around me
open out to reveal
the sun by day,
the stars by night.

The full moon:
a golden circle
beaming down.

My mother’s face
hangs in space
above me

and me:
re-born.

Raw Poem:

I wrote this lying in the jacuzzi about an hour ago. It’s not just a raw poem, it’s a very raw poem. There’s something comforting about it, though, and I like the in and out of reality moments. It’s good to remember my mother, too, especially in the image of the full moon in all its plenitude and beauty.

“and me: re-born” — the small circle in the centre of the Mexican pottery mask is the symbol of the seed of the new born babe. The mask goes full circle, from birth, to beauty, to old age, and death … a full moon cycle.

Claustrophobia

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Claustrophobia

“I’ve got to get out of here.”
“Why?”
“I can’t breathe.”
“Where are we going?”
“Anywhere.”
“Are we going to Gran’s?”
“Why not? Yes. Pack your bag.”
“What about Dad?”
“What about him?”
“Aren’t you going to tell him where we’re going?”
“No.”
“Why not?”
“Because he doesn’t care. If he cared, he’d be here.”
“Maybe he’s had an accident?”
“He didn’t have one last night, or the night before. He just doesn’t care.”
“We can’t just go …”
“We can.”

She called a cab and when it came, they turned the lights out in the house, and shut the front door behind them. Then they got into the cab. The cabbie turned to her and spoke over his shoulder.

“Merry Christmas, and where would you be going, Ma’am?”
“The station.”
“Bus or train?”
“I don’t care. They’re both the same.”

The cabbie shrugged and pulled away from the kerb. The bus station was closer and that’s where the cabbie left them. Mother and son stood there for a moment, under the station lights, looking at the coaches that squatted there, parked in regular lines. Then, mother and son, they walked into the ticket office.

“What time does the next bus leave?”
“Where do you want to go?”
“Home.”
“Where’s home?”
“Swansea.”
“The next bus for Swansea leaves in twenty minutes.”
“We’ll take it.”
“Single or return?”
“Single. Two tickets.”
“You should buy a return ticket; it’s cheaper.”
“We’re not coming back. Not this time.”
“How old’s the boy?”
“Seven.”
“He can travel half price.”
“One and a half then, singles.”

It was December 23rd, her own mother’s birthday. Mother and son sat together on the dark, empty bus. The cold seats chilled them as they waited  in silence. The boy looked out the window and coughed.

“Will Grampy be there to meet us?”
“No.”
“Doesn’t he know we’re coming?”
“No.”
“Does granny know?”
“No.”
“Mum, why are we going?”
“It’s granny’s birthday today. We’re going to give her a surprise.”

Two hours later, the bus deposited them in Swansea. The night had filled with heavy clouds and promised snow.

“Can we take a cab. mum?”
“There’s none here. We’ll have to walk.”

They walked side by side down the well-known streets. Christmas lights adorned the shops and they walked through alternate pools of light and darkness.

“Mum, I’m tired.”
“Give me your bag. We’re nearly there.”
“But mum …”
“I can carry both. Hold on to my arm.”

They kept on walking. After a while, they stopped beneath the streetlight outside the old family home and looked up into the street light’s glow. The first snow-flakes danced down.

“Can we go in now, mum? I want to see Gran and Gramps.”
“You go in. I’ll be with you in a moment.”

She watched her son climb the steps to the front door. He lifted the old brass knocker and banged it down. After a moment, the front light came on and the door opened a crack. She stood beneath the street lamp, inhaling, taking the chill air deep into her lungs. She felt the tight bands in her chest start to loosen. For the first time since this time last year, she felt free

Warning to the reader:
Raw material, still under revision, and probably needs lots of revising. I look forward to your comments. In some ways, this is my take on A Child’s Christmas in Wales. Not quite how Dylan Thomas saw it; more a sort of … well, you work it out for yourself!

In Vino Veritas

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In Vino Veritas

Last year, on the road to Pwll Ddu,
I turned the steering wheel too fast
and almost rolled the car I rented.
My mother’s ashes were in the back.

I was driving my father to the Gower
so he could scatter them on the sea,
as she had requested. “Watch what
you’re doing,” my father cried.
“You’ve knocked your mother down.”

Now, as I drink to forget her ashes
tumbling around in their plastic urn,
I call you names. Crude graffiti clings
to the wall I have built between us.

Can you forgive me? In vino veritas,
said the ancient Romans, but truth from
a bottle is a double-edged sword cutting
both striker and person struck. My love,
I sense stark darkness within you. I see
black stars exploding to flood blue skies
with their inevitable ink. Can you feel
the instant hurt behind my eyes, like I
sense yours? Here, in one of our secret
gardens, give me the pardon I never gave
my parents. Heal the harm I’ve done.
Forgive me. Break the cycle. Set us all free.

Lover

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Lover

Love, what little boys
dwell in grown men’s hearts,
struggling to break free.

I want to spend the day in bed,
buried beneath the blankets.
I want to call out for attention.

Will you boil me an egg?
Bring sweet, sugared tea?
Cut my toast into tiny soldiers
so I can march them through
the boiled egg’s yolk?

Upstairs, downstairs, I want
to keep you running all morning.
Will you straighten my blankets?
Will you tuck me in so only
my eyes and nose are showing?
Bring me my dog: let her lie
beside me, warmth and comfort
in her wet tongue washing me.

Suddenly, my world’s caved in
and there’s so much missing.
Lover: be a mother to me.

Talking 4

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Talking with my mother in an empty house

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the room is alive with light
a halo of sunny sainthood
gilding old furniture

rich gold sunlight
sparkling with dancing dust
enhances silk flowers

polished scarlet tongues of fire
call for your presence
yet you are absent now
I am the one who dusts them
and adds to their gloss

 do they still throb vibrant
 in the early morning light?

 indeed they do
dust rises from your poinsettias
and dust angels dance in the sun

how many to each leaf?

 I bend my head to look
and sense dry leaves brushing
rough lips against my face

Talking 3

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3

our conversation this morning
a sun-dried Roman aqueduct
no longer capable of carrying water

I envision brown sacking
lagged around leaking pipes

your words are lifeless kites
earthbound: too heavy to rise
each sentence: wasted
movements
 of lips tongue teeth

dead soldiers gone over the top
my thoughts hang like washing
pegged out on the Siegfried Line
on a windless day

I am afraid of this enormous barbed
wire fence growing daily between us