Obsidian’s Edge 26

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El sueño de la razón produce monstruos.
When reason sleeps, monsters are born.
Francisco de Goya.

2:00 AM

… waves of people wandering the streets a hammer blow falling on an echoing anvil and the cracked church bell lurching into its hourly cry of grief dogs barking at the fleshy red crest some playful deity has placed on the heads of domestic fowls and other gallinaceous birds beaks digging for the dawn in parched earth with thin cracks spanning out from its egg shell crazy paving the yellow yolk of sunshine creeping out from cobbles and the Russian egg cup doll after doll unfolding as the hammer’s silver spoon descends on egg shells as thin as a shattered dream of moonlight raked from a pond with its life blood filling a crystalline goblet with a thick rich callous liquid as fierce and sweet as sunshine sacrificed on a branch as rain from the clouds speckles the tree with radiance an arco iris with its semi-circular scarf this deer head mocking pulling back velvet lips white teeth grinning through the wind screen’s shattered glass and man a string quartet of flesh and bone created from a ball of dough and baked in the oven in an earthenware dish with currants for eyes a raisin for a belly button lemon rind for a mouth orange peel for hair while white storks with swaddled babies are scared away by thrown stones and the man in the mirror his hand held up to trap the wind as a falling leaf settles in the secret web between index and thumb puzzles bind like a bird bound in a metal cage the sparrow’s mighty choir chirping at the roof of the circus tent and animals running wild all gone and the smooth grass brown with its withered distorting mirrors of stark staring eyes driving through black paintings of Satanic witches spooning soup between wrinkled lips dark open holes mouths and eyes gouged in slatted wooden faces and Anonymous Bosch’s bourgeois hell of furnaces and factories swarming with sparks of black imps falling from the heavenly meadow and the devil impaired on his black wooden horse …

 

8 thoughts on “Obsidian’s Edge 26

  1. The solid prose block is fascinating. I think it forces a more intense focus on each word in the series of images as compared to the line by line focus of yesterday’s piece. There is a big difference in how the eye reads through the works.

    Amazing imagery…

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    • Thanks, John. For years I have been trying to develop that breathless kaleidoscope of images … sometimes it works and sometimes it doesn’t. It seems to have found a home in these dream pieces. I think I prefer the solid prose block (today) to the looser verse form (yesterday).

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